This year we badly needed the reminder,
this year we are misruled, sick, surrounded, ragged-run,
the long day thick with heat, the night drawn close,
the cycle at its darkest, and the stars not out.
Yet there she is, above us, unconcerned,
a far, clean place where nothing ever burns,
there whether we lay eyes on her or not.
We touched her once. We rose up wreathed in flame,
and raced, and danced, and breathed, and lived, and watched
what could not be become what we had done.
The moon is out tonight; the moon is new,
the earth is old, and yet, and yet,
what we have done we might yet do again.
Author: Aspen
inheritance
We are the daughters of the witches you failed to burn.
What they fail to mention is:
daughters of the witches who burned the rest.
There is a charm for everything; one for keeping
slugs away from the basil, one to draw down rain,
to bless the bread, to make the jelly set.
I was born heir to charms more sharp than most;
to beat back demons, wrestle impure thoughts, make straight
and simple what the heart desired.
Shouted in tongues from heaven, smeared in oil,
charged with sacred Names, and most of all,
bound by the appellation prayer to make them potent.
My mother would not suffer a witch to live, though she spoke spells
in languages no human ever knew.
And, I, at last, looking upon these works,
turned back, and back again, and found a thread
of gentler witchcraft, wound it round my wrist:
left that assembly and its pyre behind.
I know. That was never the problem.
I love you she texts me.
All day it has been raining and the steel hood of the sky is pulled down
close over the trees, every alder drips
with silver, if I wanted to I could reply
There are birds here I have never seen
before; the air tastes like the sound of frogs
calling, it is green, green here, green
as if there is no winter, as if nothing dies
or goes to sleep, and there are thorns
everywhere now, woven through the woods.
things nobody tells you
Sometimes you will wake wrong and feel you never slept,
sometimes your day will be a raft of doubt in a sea of sorrows, sometimes
you will regret the fact that you regret nothing.
You will be bad at something you want to love, and you
will be good at something you hate, and only you
decide how you want to proceed from there.
You will lose touch with someone you belonged to.
This is the way of things.
Everything you studied for will leave you unprepared
for at least one task you nevertheless must finish.
You will get halfway into cooking at least one meal
and realize you are missing something key.
You’ll have to decide then how you’re making do.
You will have to stand up for yourself
again and again and again, you will have to have
the same conversation over,
you will have to remind yourself of who you are
when nobody else will do it.
When nobody else will do it your next task is find
the people who will, and never let them go.
The process is slow until it is fast, like most things.
It becomes effortless just before it breaks. You have to search
yourself for what you did before:
how you made yourself write, or how
you put your words back for a month, a year, ten years, hoping they’d mend
themselves.
No strategy retains its shape, no two poems
Come by the same way. Some flow like honey, some are hummingbirds that rocket fully formed into the light, some
You carve out line by agonizing line until the bones protrude.
The Story of a Running Rabbit
I was a kid who soaked up stories. I read constantly, voraciously, widely, with absolutely zero regard for the suggested age range of my reading. My favorite book since I was seven has been Bradbury’s The Illustrated Man, a book which famously opens on a short story where children feed their parents to an automated VR nursery.
One book I read too young and then re-read often enough for it to get worked down into my grain was Watership Down. A lot of people in my general age range were introduced to the story by the animated film (which is, uh, frankly terrifying, and I say this as someone who didn’t see it until I was a teen). But I came to the novel the way I came to a lot of the novels I love: as a child in the adult fiction section of the local library, lightly supervised and guided only by my own curiosity.
Watership Down is a story about found family, about outcasts and risk-taking and the terrible, sublime danger of wanting something different than what you have. It’s a story about repeatedly escaping places that seem safe or comfortable or polite but which will kill you if you stay in them. It’s an incredibly important novel to me, and an incredibly Queer novel although I doubt Richard Adams intended it to be that way.
I’ve always known that if I were to get a tattoo, it would be a literary reference. Books did too much to raise me for that not to happen. When I kicked around ideas in my early twenties, they were almost always passages or quotes or images from the books I loved.
But this is the one that never left me.

All the world will be your enemy, Prince with a Thousand Enemies, and whenever they catch you, they will kill you. But first they must catch you. Digger, listener, runner, prince with the swift warning. Be cunning and full of tricks and your people shall never be destroyed.
I chose these words because they’ve helped drive me through some of the most difficult days of my life. Because for me there’s something inherently Queer about outrunning those who would keep you in hutches or catch you in snares, in being quick and cunning and a sharp listener.
The rabbit is El-ahrairah, the Prince with a Thousand Enemies. And it is Fiver, the brave and broken. It’s Hazel, the courageous one, and Bigwig, cynical and sarcastic and too tough to die. It’s Bluebell who would roll a joke along the ground for shattered, scared survivors to follow into the future. It’s even Inlé-rah, the Black Rabbit of the moon, who keeps life and death in its appointed round.
The rabbit is me, and it’s you, and it’s anyone who ever chose not to let themselves stay tangled in the snare of their raising.
All the world will be your enemy, Prince with a Thousand Enemies, and if they catch you they will kill you.
But first they must catch you.
October 31: Ripe
I watch her take a pomegranate from the bin,
roll it between her palms, and hand it
to the child standing at her elbow.
She bends over him, murmurs
instructions while he turns the fruit
in his small, warm hands.
Look at the color, she says, look
at the skin, and the weight, feel it
in your hand; you are looking for
a brightness and a heaviness,
not for perfection, you are looking
for what cannot be seen
but only sensed.
October 30: Catch
The first time it happens it will feel like chance.
You both will stand a moment, dazed and staring
at the ball, at how against all natural laws
it has stopped its flight in someone’s hands instead
of bursting past them, how it waits
to take flight from this new location.
One of you will startle forward first;
(probably it will be you,
because you are older and have waited for this thing,
while the child has never dreamed that it could be).
October 29: Injured
I can’t say it doesn’t hurt. I can’t pretend
the absence doesn’t ache.
The raw edge of the loss is always catching
itself on things, makes my voice skip and my heart
stutter with the shock.
I can’t say that it could have been avoided.
I saw it coming and I stepped into the blow,
I did what I had to; I did not pretend
it wouldn’t hurt, or that I didn’t want it.
October 28: Ride
Every time she lifts him she feels it more and more,
the drag against her back, the dig of his heels
against her thighs. He’s getting taller, older,
less prone to beg with his arms up for her to bend
and sweep him up. The weight of him once
was summer-light, warm along her spine, his arms
so small they couldn’t make a loop around her neck.
She could have carried him for hours, then.
Now she is staggered, weighted, freighted
by the knowledge that one day
she’ll set him down and that will be the end.