I was a kid who soaked up stories. I read constantly, voraciously, widely, with absolutely zero regard for the suggested age range of my reading. My favorite book since I was seven has been Bradbury’s The Illustrated Man, a book which famously opens on a short story where children feed their parents to an automated VR nursery.
One book I read too young and then re-read often enough for it to get worked down into my grain was Watership Down. A lot of people in my general age range were introduced to the story by the animated film (which is, uh, frankly terrifying, and I say this as someone who didn’t see it until I was a teen). But I came to the novel the way I came to a lot of the novels I love: as a child in the adult fiction section of the local library, lightly supervised and guided only by my own curiosity.
Watership Down is a story about found family, about outcasts and risk-taking and the terrible, sublime danger of wanting something different than what you have. It’s a story about repeatedly escaping places that seem safe or comfortable or polite but which will kill you if you stay in them. It’s an incredibly important novel to me, and an incredibly Queer novel although I doubt Richard Adams intended it to be that way.
I’ve always known that if I were to get a tattoo, it would be a literary reference. Books did too much to raise me for that not to happen. When I kicked around ideas in my early twenties, they were almost always passages or quotes or images from the books I loved.
But this is the one that never left me.

All the world will be your enemy, Prince with a Thousand Enemies, and whenever they catch you, they will kill you. But first they must catch you. Digger, listener, runner, prince with the swift warning. Be cunning and full of tricks and your people shall never be destroyed.
I chose these words because they’ve helped drive me through some of the most difficult days of my life. Because for me there’s something inherently Queer about outrunning those who would keep you in hutches or catch you in snares, in being quick and cunning and a sharp listener.
The rabbit is El-ahrairah, the Prince with a Thousand Enemies. And it is Fiver, the brave and broken. It’s Hazel, the courageous one, and Bigwig, cynical and sarcastic and too tough to die. It’s Bluebell who would roll a joke along the ground for shattered, scared survivors to follow into the future. It’s even InlĂ©-rah, the Black Rabbit of the moon, who keeps life and death in its appointed round.
The rabbit is me, and it’s you, and it’s anyone who ever chose not to let themselves stay tangled in the snare of their raising.
All the world will be your enemy, Prince with a Thousand Enemies, and if they catch you they will kill you.
But first they must catch you.

